Avant-Garde Cinema

Video: Primera etapa. El vídeo en el contexto social y artístico de los años 60/70.

Art History / Avant-Garde Cinema / Film & Digital Video / Visual Arts / Videoart

El vídeo y las vanguardias históricas

Art History / Avant-Garde Cinema / Video Art / 20th century Avant-Garde

Una iconografía del ojo en Un chien andalou

Aesthetics / Avant-Garde Cinema / Art Theory / Models of Creativity & of Creative Processes / Film Theory / Surrealism / Antonin Artaud / Imagination / Cinema / Avant-Garde / Film Aesthetics / Dreams / Dada In Europe & New York (Man Ray & M. Duchamp) / 20th century Avant-Garde / Spontaneity / Rosalind Krauss / André Breton / Jean Epstein / Luis Buñuel / Interiority / Vision / Henry Corbin / French Avant-Garde / Hallucinations / Misticism / Apollinaire / Surrealist Art Theory (A. Breton, M. Ernst, Man Ray). / European Avant Garde / Dadaism & Surrealism / Surrealism and film / Jean Cocteau / Imaginación / Eye / Mística / Guillaume Apollinaire / MISTICISMO / Jacques Prévert / Creative Imagination / Man Ray / Surrealismo / Vanguardia / Vision and Visuality / Surrealismos / Cirlot / Ceguera / Ojo / Marcel Carne / Interioridad / Light Sleep / Surrealism / Antonin Artaud / Imagination / Cinema / Avant-Garde / Film Aesthetics / Dreams / Dada In Europe & New York (Man Ray & M. Duchamp) / 20th century Avant-Garde / Spontaneity / Rosalind Krauss / André Breton / Jean Epstein / Luis Buñuel / Interiority / Vision / Henry Corbin / French Avant-Garde / Hallucinations / Misticism / Apollinaire / Surrealist Art Theory (A. Breton, M. Ernst, Man Ray). / European Avant Garde / Dadaism & Surrealism / Surrealism and film / Jean Cocteau / Imaginación / Eye / Mística / Guillaume Apollinaire / MISTICISMO / Jacques Prévert / Creative Imagination / Man Ray / Surrealismo / Vanguardia / Vision and Visuality / Surrealismos / Cirlot / Ceguera / Ojo / Marcel Carne / Interioridad / Light Sleep

Una iconografía del ojo en Emak Bakia

Creative Writing / Aesthetics / Avant-Garde Cinema / Models of Creativity & of Creative Processes / Film Theory / Surrealism / Imagination / Film Aesthetics / Dada In Europe & New York (Man Ray & M. Duchamp) / 20th century Avant-Garde / Luis Buñuel / Misticism / Surrealist Art Theory (A. Breton, M. Ernst, Man Ray). / European Avant Garde / Dadaism & Surrealism / Surrealism and film / Phenomenology of the Imagination / Surrealismo Francês / French Surrealism / French Surrealism Litterature / Surrealism, Liberation Psychology, Critical Theory / Surréalisme, Littérature, Esthétique / The Occultation of Surrealism in 1947 / MISTICISMO / Dada and Surrealism / Creative Imagination / Existentialism, Absurdism, Surrealism / Surrealismo / Avant Garde Film / Dada/Surrealism / Theories of Imagination / Surrealismos / Surrealism / Imagination / Film Aesthetics / Dada In Europe & New York (Man Ray & M. Duchamp) / 20th century Avant-Garde / Luis Buñuel / Misticism / Surrealist Art Theory (A. Breton, M. Ernst, Man Ray). / European Avant Garde / Dadaism & Surrealism / Surrealism and film / Phenomenology of the Imagination / Surrealismo Francês / French Surrealism / French Surrealism Litterature / Surrealism, Liberation Psychology, Critical Theory / Surréalisme, Littérature, Esthétique / The Occultation of Surrealism in 1947 / MISTICISMO / Dada and Surrealism / Creative Imagination / Existentialism, Absurdism, Surrealism / Surrealismo / Avant Garde Film / Dada/Surrealism / Theories of Imagination / Surrealismos

El cuerpo y la sombra. Una cartografía de lo monstruoso en la cultura moderna, Carta. Revista de Pensamiento y Debate del Museo Reina Sofia

Avant-Garde Cinema / Violence / Anthropology of the Body / Cinema / Monsters and Monster Theory / Monstrosity / Dadaism & Surrealism / Monstrosity / Dadaism & Surrealism

Jameson Fredric - Ensayos sobre el Posmodernismo

Philosophy / Art History / Avant-Garde Cinema / Art Theory / Contemporary Art / Literature and cinema / Visual Semiotics / Film Analysis & Theory / Cinema Studies / Visual and Performing Arts / Arts and Humanities / Semiotics In Film / Literature and cinema / Visual Semiotics / Film Analysis & Theory / Cinema Studies / Visual and Performing Arts / Arts and Humanities / Semiotics In Film

Visiones de masas en el cine de entreguerras

Avant-Garde Cinema / Literature and cinema / Cinema / Siegfried Kracauer / Transnational Cinema / Sergei Eisenstein / Masses, Crowds, Deindividuation / Frankenstein Film / Sergei Eisenstein / Masses, Crowds, Deindividuation / Frankenstein Film

“La trilogía autobiográfica de Takeshi Kitano. Deseo autográfico de ser un artista (libre)”

Avant-Garde Cinema / Digital Cinema / Japanese Cinema / Cinema / Transnational Cinema / Cinema Studies / Cinema and Television / Contemporary Japanese Cinema / Counter-Culture In Japanese Cinema / Violence in japanese cinema / Cinema Studies / Cinema and Television / Contemporary Japanese Cinema / Counter-Culture In Japanese Cinema / Violence in japanese cinema

Otra mirada al paisaje. Las artes de la imagen óptica en el tiempo

Avant-Garde Cinema / Art / Architecture / Film Studies / Contemporary Art / Landscape Architecture / Modern Art / Video Art / Cinema / Landscape / Cinema and Architecture / Film and Architecture / Visual Arts / Film / Arquitectura / Cinema Studies / Paisaje / Relation between architecture and film / Experimental Film and Video / Bill Viola / Nature and Landscape in Cinema / Eames / Art and Film / Ralph Steiner / Arte, cine, diseño y arquitectura / Relations Between Film and Architectural Space and Form / Landscape and Film / Arquitectura Y Cine / Cine y arquitectura / Landscape Architecture / Modern Art / Video Art / Cinema / Landscape / Cinema and Architecture / Film and Architecture / Visual Arts / Film / Arquitectura / Cinema Studies / Paisaje / Relation between architecture and film / Experimental Film and Video / Bill Viola / Nature and Landscape in Cinema / Eames / Art and Film / Ralph Steiner / Arte, cine, diseño y arquitectura / Relations Between Film and Architectural Space and Form / Landscape and Film / Arquitectura Y Cine / Cine y arquitectura

Jaime García Saucedo, \"La escultura de lo fluido. Literatura colombiana en el cine\"

History / Latin American Studies / Comparative Literature / Philosophy / Humanities / Avant-Garde Cinema / Social Sciences / Literature / Literature and cinema / Colombia / Literary Criticism / Literary Theory / Latin American literature / Cinema / Colombian Literature / Cinematography / Literatura Latinoamericana / Transnational Cinema / Literatura / Cinema Studies / Latin America / Literatura colombiana / Latinoamerica / América Latina / Cine Latinoamericano / Colombian cinema / Cinema and Television / Ensayos Cine / Avant-Garde Cinema / Social Sciences / Literature / Literature and cinema / Colombia / Literary Criticism / Literary Theory / Latin American literature / Cinema / Colombian Literature / Cinematography / Literatura Latinoamericana / Transnational Cinema / Literatura / Cinema Studies / Latin America / Literatura colombiana / Latinoamerica / América Latina / Cine Latinoamericano / Colombian cinema / Cinema and Television / Ensayos Cine

La desorientación orientada. Sobre una incierta tendencia del orientalismo cinemtográfico

Avant-Garde Cinema / Orientalism / Exoticism / Cinematic Modernism / Lotte reiniger / Joris Ivens

Precious Images

Avant-Garde Cinema / Film Studies / Film Analysis / Film History / Classical Hollywood / Contemporary Hollywood / Experimental Film / Film and Media Studies / Experimental Film and Video / Contemporary Hollywood / Experimental Film / Film and Media Studies / Experimental Film and Video

\"Reverberaciones en celuloide: Una aproximación al sonido en el cine experimental español (1955-1979)\"

Avant-Garde Cinema / Film Theory / Film Music And Sound / Sound / Experimental Film
Copyright © 2017 DATOSPDF Inc.